A thought, a focus, a vision – each day brings in new tones of colours, new forms in antique images,
Indian motifs in 3d mural art, these are a few willful and skillful attempts of design and detail of our
jewelry and accessories. A brand curated organically over 12 years has transitioned and transformed
with all available resources of Mother Nature such as sea shells, plant seeds, wood byproducts, cotton
as thread, as fabric, earthen clay amongst many others. There is use of recycled handmade paper with
3d outliners and sealer polish to save from sweat and rain. From ear studs to danglers, from bracelets to
hair bun sticks, from chokers to neckpieces, stoles to scarves, angrakhas to reversible waistcoats, there
has been exploration in many arrays. The brand sees its visibility in select art exhibitions as it needs
those with eyes that observe loud yet soothing shades, wild yet rooted motifs, choice in chaos, language
in art. Such are the various interpretations. From TV shows to newspaper articles, there has been a
journey worth cherishing. However, much needed is current trend’s visibility. There is a twist of newness
in old school, similarities in asymmetry, timeless times spent in detailing. From edge tails to knot, from
secured stitches to fastened ties, every material has its elasticity and tension, sometimes malleability
and ductility. How each is twisted, strung, hung, bent, cut, snipped, all depend on its very own
characteristics and properties innate to its original self. Encouraging local craftsmen to those across
borders, associating with diligent sincere artist entrepreneurs, building our very own design niche. So
much so, that “The Bengaluru Tribal Wear” never has had copyright issues , predominantly for the fact
that each idea , each thought , each vision is a true outcome of the maker Sarojini’s own imagination in
her little balcony workshop space.
Website – thebengalurutribalwear.com
Instagram link – thebengalurutribalwear
